multimedia web documentation in collaboration with Timo Jaworr.
»I haven't sung for so long!« laughs Valia Nyavan in a hotter and more lantern-jawed tone. She repeatedly clears her throat or interrupts, somewhat embarrassed. She can't quite remember the words to the song. Her own childhood was too long ago, her own language seems too foreign. Valia's sister, Natasha, listens to her carefully and tries to help with the parts of the lyrics that she still remembers. However, she finds it difficult to sing along. She is old, almost blind and has difficulties speaking. Nevertheless, the singing is exhilarating for both of them and they repeatedly fall into an almost childlike giggle. Seven-year-old Lilja, in the shaky arms of her great-aunt Natasha, watches the two of them enthusiastically and enjoys the Nivkhian, the old language of her people. Only a few old people still speak it. When they die, their language dies too.
The Nivkh are natives in the far east of Siberia, in the north of Sakhalin Island. And their culture is fading. They are no longer semi-nomads, but live a sedentary life. Their ancient festivals and traditions have degenerated into folklore. And even if every family still owns their dogs, they no longer pull sledges as they did a few decades ago. The Nivkh now drive off-road vehicles along the coast to transport their fishing boats. Their culture is one of the oldest in the world, older than many European cultures. But there are fewer and fewer people like the Nyavan family who are clinging to the old ways of life. There are still around 5,000 Nivkhs in Russia today. A large proportion of them live in the settlement of Nekrasovka.
The economic and ecological circumstances do not make it easy for them. Sakhalin is actually a real gold mine: rich in fish, timber and oil. But the indigenous people do not benefit from the wealth of their homeland. On the contrary: due to the industrial use of the island, the Nivkh are losing parts of their land bit by bit. Disoriented, the families cling to what they have left: their history, their past, their homeland. Although the mythical festival of the bear no longer takes place and they fall into the category of poachers due to government regulations, they still want to live like their ancestors. The young people are torn between the desire to stay with their family and the need to move away. For education and money.
»[ych mif]: Island of the Ancestors« is a story about trying to preserve peoples homeland and culture. More and more indigenous cultures are disappearing as modern man expands in the name of economy, globalization and research. The Nivkh are no exception. However, unlike people such as the Sami, their remoteness means that they are unable to sustain themselves through tourism. In addition, there is a division within the people themselves. While families like the Nyavans continue to pass on the knowledge of their ancestors to their children and grandchildren and live according to the traditional model, other Nivkh are already collecting and archiving their material heritage, in the form of traditional clothing or writings, for a potential museum...
A fisherman returns from the ice of the Sea of Okhotsk. Life in Nekrasovka is hard. It is not only the rugged environment and the remoteness of the place that make this clear. Even the sea freezes completely in winter and connects the island with the mainland.
An old house in the old district of Nekrasovka. Ruslan and his wife Alexandra »Sasha« live in one half of this wooden hut. When the Nivkh were resettled to Nekrasovka, these huts were built and allocated to them.
Much of the Nivkh culture has already been forgotten. Only a few old people speak the language and the traditional clothing is worn only at folklore festivals. To learn something of their own culture, children meet once a week in the local clubhouse »Pelaken« and rehearse traditional dances or songs.
The wedding photo of Ruslan and Alexandra »Sasha« Nyavan. Ruslan worked in a collective farm and Alexandra worked as a dental assistant. Until they finally decided to live in Nekrasovka, following the example of their ancestors.
During the winter, which lasts around nine months of the year, the island is completely covered in snow and ice. Wool blankets in the windows provide additional insulation to keep the house warm inside.
Katja (front) surfs the internet on her cell phone while Anatoli helps his mother Sasha in the kitchen. There is plenty of time in Nekrasovka. In this remote place, there are hardly any activities for young people and no career prospects.
Andrzej collects berries together with one of his dogs. The infrastructure is very rudimentary, especially in the northern part of Sakhalin Island. In remote places – such as Nekrasovka – only the main roads are dirt tracks.
Ruslan on his fishing boat in the bay off Nekrasovka. There are only a few motorized boats. The Nyavans are one of the families who have such equipment. If Ruslan doesn't need the boat himself, he hires it out.
The traditional dish jukola – fish pickled in vinegar brine – is hung out to dry. Daniel helps his uncle Ruslan with this.
Liera is studying in St. Petersburg in a scholarship program. During the semester break, she flies back to Nekrasovka to help her family and neighbors with fishing and other tasks.
»Boss« in front of the Nyavan's home. Even though dogs are no longer used to pull sledges these days, the animals have a permanent place in the families. For example, to ward off bears that occasionally stray into the village in search of food.
Katja (center) and her friends stand around a car and listen to music. A night-time scene of youth life in Nekrasovka.
multimedia web documentation in collaboration with Timo Jaworr.
»I haven't sung for so long!« laughs Valia Nyavan in a hotter and more lantern-jawed tone. She repeatedly clears her throat or interrupts, somewhat embarrassed. She can't quite remember the words to the song. Her own childhood was too long ago, her own language seems too foreign. Valia's sister, Natasha, listens to her carefully and tries to help with the parts of the lyrics that she still remembers. However, she finds it difficult to sing along. She is old, almost blind and has difficulties speaking. Nevertheless, the singing is exhilarating for both of them and they repeatedly fall into an almost childlike giggle. Seven-year-old Lilja, in the shaky arms of her great-aunt Natasha, watches the two of them enthusiastically and enjoys the Nivkhian, the old language of her people. Only a few old people still speak it. When they die, their language dies too.
The Nivkh are natives in the far east of Siberia, in the north of Sakhalin Island. And their culture is fading. They are no longer semi-nomads, but live a sedentary life. Their ancient festivals and traditions have degenerated into folklore. And even if every family still owns their dogs, they no longer pull sledges as they did a few decades ago. The Nivkh now drive off-road vehicles along the coast to transport their fishing boats. Their culture is one of the oldest in the world, older than many European cultures. But there are fewer and fewer people like the Nyavan family who are clinging to the old ways of life. There are still around 5,000 Nivkhs in Russia today. A large proportion of them live in the settlement of Nekrasovka.
The economic and ecological circumstances do not make it easy for them. Sakhalin is actually a real gold mine: rich in fish, timber and oil. But the indigenous people do not benefit from the wealth of their homeland. On the contrary: due to the industrial use of the island, the Nivkh are losing parts of their land bit by bit. Disoriented, the families cling to what they have left: their history, their past, their homeland. Although the mythical festival of the bear no longer takes place and they fall into the category of poachers due to government regulations, they still want to live like their ancestors. The young people are torn between the desire to stay with their family and the need to move away. For education and money.
»[ych mif]: Island of the Ancestors« is a story about trying to preserve peoples homeland and culture. More and more indigenous cultures are disappearing as modern man expands in the name of economy, globalization and research. The Nivkh are no exception. However, unlike people such as the Sami, their remoteness means that they are unable to sustain themselves through tourism. In addition, there is a division within the people themselves. While families like the Nyavans continue to pass on the knowledge of their ancestors to their children and grandchildren and live according to the traditional model, other Nivkh are already collecting and archiving their material heritage, in the form of traditional clothing or writings, for a potential museum...
A fisherman returns from the ice of the Sea of Okhotsk. Life in Nekrasovka is hard. It is not only the rugged environment and the remoteness of the place that make this clear. Even the sea freezes completely in winter and connects the island with the mainland.
An old house in the old district of Nekrasovka. Ruslan and his wife Alexandra »Sasha« live in one half of this wooden hut. When the Nivkh were resettled to Nekrasovka, these huts were built and allocated to them.
Much of the Nivkh culture has already been forgotten. Only a few old people speak the language and the traditional clothing is worn only at folklore festivals. To learn something of their own culture, children meet once a week in the local clubhouse »Pelaken« and rehearse traditional dances or songs.
The wedding photo of Ruslan and Alexandra »Sasha« Nyavan. Ruslan worked in a collective farm and Alexandra worked as a dental assistant. Until they finally decided to live in Nekrasovka, following the example of their ancestors.
During the winter, which lasts around nine months of the year, the island is completely covered in snow and ice. Wool blankets in the windows provide additional insulation to keep the house warm inside.
Katja (front) surfs the internet on her cell phone while Anatoli helps his mother Sasha in the kitchen. There is plenty of time in Nekrasovka. In this remote place, there are hardly any activities for young people and no career prospects.
Andrzej collects berries together with one of his dogs. The infrastructure is very rudimentary, especially in the northern part of Sakhalin Island. In remote places – such as Nekrasovka – only the main roads are dirt tracks.
Ruslan on his fishing boat in the bay off Nekrasovka. There are only a few motorized boats. The Nyavans are one of the families who have such equipment. If Ruslan doesn't need the boat himself, he hires it out.
The traditional dish jukola – fish pickled in vinegar brine – is hung out to dry. Daniel helps his uncle Ruslan with this.
Liera is studying in St. Petersburg in a scholarship program. During the semester break, she flies back to Nekrasovka to help her family and neighbors with fishing and other tasks.
»Boss« in front of the Nyavan's home. Even though dogs are no longer used to pull sledges these days, the animals have a permanent place in the families. For example, to ward off bears that occasionally stray into the village in search of food.
Katja (center) and her friends stand around a car and listen to music. A night-time scene of youth life in Nekrasovka.
I'm Philipp (b. 1991), photographer and videographer with a focus on people, the reality of their personal lives and their environment. As a multimedia storyteller, my goal is to convey information and emotions sensitively – and in a way that best suits the story. Besides my personal practice I work for newspapers, magazines and in corporate contexts.
I enjoy delving deep into a subject, explore my surroundings by running, hiking and climbing, and love to spend time in the forest just behind where I live.
My »professional home« is the photojournalism and documentary photography. In the discipline of the same name I graduated 2020 with a Bachelor of Arts degree at the University of Applied Sciences and Arts in Hanover. Parallel to my studies – as a freelancer and producer in a media agency – I expanded my know-how in moving images and found new visual approaches for my work in the combination of photo and video.
Check the information below for more details.
arte
Frankfurter Allgemeine Zeitung (FAZ)
GEOlino
GO Magazin
Hannoversche Allgemeine Zeitung (HAZ)
Neue Zürcher Zeitung (NZZ)
Spiegel Wissen
Weser Kurier
Aidshilfe Niedersachsen Landesverband e.V.
benthaus
Carl Zeiss GOM Metrology
Continental
Diakovere
Franziskustreff
Garant Maschinen
Gesellschaft für Thrombose- und Hämostaseforschung e.V. (GTH)
Kyoto Prize
VGH Versicherungen
Windmöller & Hölscher
2024 | Exhibition, »[ych mif]: Insel der Ahnen«, aufhof, Hanover |
---|---|
2021 | Keynote about my longterm-project »[ych mif]: Insel der Ahnen« for World Press Photo Oldenburg, Sonntagsmatinee |
2020 | Bachelor of Arts, Photojournalism and Documentary Photography, University of Applied Sciences and Arts, Hanover |
2020 | Exhibition, »Im Tanz: Von Alltag und Veränderung«, Gretchen, Hanover |
2019 | Honourable Mention, Der neue BFF-Förderpreis |
2019 | Exhibition, »[ych mif]: Insel der Ahnen«, horizonte Umweltfestival, Zingst |
2018 | Scholarship, Canon Student Program, Visa pour l'image, Perpignan |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Gleis-D, Hanover |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Kulturbahnhof Mörfelden |
2017 | Finalist, VGH Fotopreis |
2017 | DAAD Scholarship at the National Institute of Design, Gandhinagar, India |
2014 | Exhibition, »jugend.kult.uhr | Ein Querschnitt der Jugend 2.0«, University of Applied Sciences and Arts, Hanover |
2013 | »Lena Kredel – Mensch Maschine«, pilot episode of the arte web-series: »Gesichter der Zukunft« |
I'm Philipp (b. 1991), photographer and videographer with a focus on people, the reality of their personal lives and their environment. As a multimedia storyteller, my goal is to convey information and emotions sensitively – and in a way that best suits the story. Besides my personal practice I work for newspapers, magazines and in corporate contexts.
I enjoy delving deep into a subject, explore my surroundings by running, hiking and climbing, and love to spend time in the forest just behind where I live.
My »professional home« is the photojournalism and documentary photography. In the discipline of the same name I graduated 2020 with a Bachelor of Arts degree at the University of Applied Sciences and Arts in Hanover. Parallel to my studies – as a freelancer and producer in a media agency – I expanded my know-how in moving images and found new visual approaches for my work in the combination of photo and video.
Check the information below for more details.
arte
Frankfurter Allgemeine Zeitung (FAZ)
GEOlino
GO Magazin
Hannoversche Allgemeine Zeitung (HAZ)
Neue Zürcher Zeitung (NZZ)
Spiegel Wissen
Weser Kurier
Aidshilfe Niedersachsen Landesverband e.V.
benthaus
Carl Zeiss GOM Metrology
Continental
Diakovere
Franziskustreff
Garant Maschinen
Gesellschaft für Thrombose- und Hämostaseforschung e.V. (GTH)
Kyoto Prize
VGH Versicherungen
Windmöller & Hölscher
2024 | Exhibition, »[ych mif]: Insel der Ahnen«, aufhof, Hanover |
---|---|
2021 | Keynote about my longterm-project »[ych mif]: Insel der Ahnen« for World Press Photo Oldenburg, Sonntagsmatinee |
2020 | Bachelor of Arts, Photojournalism and Documentary Photography, University of Applied Sciences and Arts, Hanover |
2020 | Exhibition, »Im Tanz: Von Alltag und Veränderung«, Gretchen, Hanover |
2019 | Honourable Mention, Der neue BFF-Förderpreis |
2019 | Exhibition, »[ych mif]: Insel der Ahnen«, horizonte Umweltfestival, Zingst |
2018 | Scholarship, Canon Student Program, Visa pour l'image, Perpignan |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Gleis-D, Hanover |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Kulturbahnhof Mörfelden |
2017 | Finalist, VGH Fotopreis |
2017 | DAAD Scholarship at the National Institute of Design, Gandhinagar, India |
2014 | Exhibition, »jugend.kult.uhr | Ein Querschnitt der Jugend 2.0«, University of Applied Sciences and Arts, Hanover |
2013 | »Lena Kredel – Mensch Maschine«, pilot episode of the arte web-series: »Gesichter der Zukunft« |