»The coronavirus is currently dramatically changing life in our country. Our ideas of normality, of public life, of social interaction. All of this is being put to test like never before.«
With these words, Chancellor Angela Merkel addressed the citizens of Germany in a TV speech on March 18, 2020. She was referring to government measures, such as social contact restrictions, which the German government decided on in response to the spread of the respiratory disease COVID-19. The restrictions resulting from the coronavirus pandemic were only intended to be temporary. However, the decisions taken still represent a radical intervention in social life. Sometimes more, sometimes less. But until the pandemic is overcome, our current living environment resembles an irritated mirror image of our everyday life, whose individual steps are constantly changing like a wild dance. But what impact are the measures taken having on life in Germany? And how do people deal with the circumstances in their everyday lives?
In my essay, I address these questions as I accompany our society's attempt to deal with its disrupted living environment, the so-called new normality, and return it to a perceived original state, the state before the pandemic.
Hanna Modrakowski sews face masks for herself and her family. Although she has been interested in sewing for a long time, she has only now discovered the activity as a hobby for herself. Wearing masks has been compulsory in most stores and on public transport since April 27. Pirna, 2020.
Dr. Volkhard Bangert is an internist and has been retired for eight years. At the start of the first lockdown measures on March 13, he was asked by the Daun health authority if he could help out: »The work has completely changed my current daily routine. It's almost like it used to be, except that I get tired much faster, which is certainly due to my age. Personally, I experience the pandemic, perhaps it sounds absurd, as a professional challenge that is filled with many positive impressions and reminds me of good times during my active years. It makes me happy to be able to use my professional skills once again.« Daun, 2020.
Spectators in their cars during the »PSD Bank Flight Night« on June 12. It was Germany's first professional spectator event since the outbreak of the coronavirus pandemic. The restrictions on social contacts resulted in a radical halt to leisure and sporting events. However, visits to drive-in cinemas were allowed again over the summer, as spectators are far enough apart and isolated. This athletics event serves as a fundraising gala. Such events tend not to have any economic added value. Düsseldorf, 2020.
Lisa-Marie Steinberg is a booker for the Berlin-based company Loft Concerts. With the start of the lockdown, it had to postpone or cancel over 95 events. She has been on short-time work since March 13 and is trying to fill five hours a week with work. It doesn't always work out. Berlin, 2020.
A student at Hanover Medical School (MHH) checks the data of a pupil. In a joint study by the MHH and Leibniz Universität Hanover, staff and pupils at the Schillerschule grammar school are to be tested for COVID-19 for the rest of 2020. The aim of the research is to find out how the novel coronavirus behaves in young people. Hanover, 2020.
Birgit Nowack sees the measures and restrictions in place as a dangerous encroachment on her fundamental rights. It is not the virus that poses a threat to society, she says, but the psychological stress caused by the current regulations. Birgit Nowack has also noticed stress and inner pressure in herself: »although I'm doing really well with my house and garden and no financial worries – unlike many others.« Neustadt am Rübenberge, 2020.
Two clubbers in the parking lot of the Index discotheque in Schüttorf. It is still not clear when events such as concerts will be possible again. In order to save his family business, club owner Holger Bösch asked the health authorities whether it would be possible to operate if his guests did not leave their cars. At the same time as the first easing of restrictions, it agreed to Bösch's request to hold »car discos«. Schüttorf, 2020.
»The coronavirus is currently dramatically changing life in our country. Our ideas of normality, of public life, of social interaction. All of this is being put to test like never before.«
With these words, Chancellor Angela Merkel addressed the citizens of Germany in a TV speech on March 18, 2020. She was referring to government measures, such as social contact restrictions, which the German government decided on in response to the spread of the respiratory disease COVID-19. The restrictions resulting from the coronavirus pandemic were only intended to be temporary. However, the decisions taken still represent a radical intervention in social life. Sometimes more, sometimes less. But until the pandemic is overcome, our current living environment resembles an irritated mirror image of our everyday life, whose individual steps are constantly changing like a wild dance. But what impact are the measures taken having on life in Germany? And how do people deal with the circumstances in their everyday lives?
In my essay, I address these questions as I accompany our society's attempt to deal with its disrupted living environment, the so-called new normality, and return it to a perceived original state, the state before the pandemic.
Hanna Modrakowski sews face masks for herself and her family. Although she has been interested in sewing for a long time, she has only now discovered the activity as a hobby for herself. Wearing masks has been compulsory in most stores and on public transport since April 27. Pirna, 2020.
Dr. Volkhard Bangert is an internist and has been retired for eight years. At the start of the first lockdown measures on March 13, he was asked by the Daun health authority if he could help out: »The work has completely changed my current daily routine. It's almost like it used to be, except that I get tired much faster, which is certainly due to my age. Personally, I experience the pandemic, perhaps it sounds absurd, as a professional challenge that is filled with many positive impressions and reminds me of good times during my active years. It makes me happy to be able to use my professional skills once again.« Daun, 2020.
Spectators in their cars during the »PSD Bank Flight Night« on June 12. It was Germany's first professional spectator event since the outbreak of the coronavirus pandemic. The restrictions on social contacts resulted in a radical halt to leisure and sporting events. However, visits to drive-in cinemas were allowed again over the summer, as spectators are far enough apart and isolated. This athletics event serves as a fundraising gala. Such events tend not to have any economic added value. Düsseldorf, 2020.
Lisa-Marie Steinberg is a booker for the Berlin-based company Loft Concerts. With the start of the lockdown, it had to postpone or cancel over 95 events. She has been on short-time work since March 13 and is trying to fill five hours a week with work. It doesn't always work out. Berlin, 2020.
A student at Hanover Medical School (MHH) checks the data of a pupil. In a joint study by the MHH and Leibniz Universität Hanover, staff and pupils at the Schillerschule grammar school are to be tested for COVID-19 for the rest of 2020. The aim of the research is to find out how the novel coronavirus behaves in young people. Hanover, 2020.
Birgit Nowack sees the measures and restrictions in place as a dangerous encroachment on her fundamental rights. It is not the virus that poses a threat to society, she says, but the psychological stress caused by the current regulations. Birgit Nowack has also noticed stress and inner pressure in herself: »although I'm doing really well with my house and garden and no financial worries – unlike many others.« Neustadt am Rübenberge, 2020.
Two clubbers in the parking lot of the Index discotheque in Schüttorf. It is still not clear when events such as concerts will be possible again. In order to save his family business, club owner Holger Bösch asked the health authorities whether it would be possible to operate if his guests did not leave their cars. At the same time as the first easing of restrictions, it agreed to Bösch's request to hold »car discos«. Schüttorf, 2020.
I'm Philipp (b. 1991), photographer and videographer with a focus on people, the reality of their personal lives and their environment. As a multimedia storyteller, my goal is to convey information and emotions sensitively – and in a way that best suits the story. Besides my personal practice I work for newspapers, magazines and in corporate contexts.
I enjoy delving deep into a subject, explore my surroundings by running, hiking and climbing, and love to spend time in the forest just behind where I live.
My »professional home« is the photojournalism and documentary photography. In the discipline of the same name I graduated 2020 with a Bachelor of Arts degree at the University of Applied Sciences and Arts in Hanover. Parallel to my studies – as a freelancer and producer in a media agency – I expanded my know-how in moving images and found new visual approaches for my work in the combination of photo and video.
Check the information below for more details.
arte
Frankfurter Allgemeine Zeitung (FAZ)
GEOlino
GO Magazin
Hannoversche Allgemeine Zeitung (HAZ)
Neue Zürcher Zeitung (NZZ)
Spiegel Wissen
Weser Kurier
Aidshilfe Niedersachsen Landesverband e.V.
benthaus
Carl Zeiss GOM Metrology
Continental
Diakovere
Franziskustreff
Garant Maschinen
Gesellschaft für Thrombose- und Hämostaseforschung e.V. (GTH)
Kyoto Prize
VGH Versicherungen
Windmöller & Hölscher
2024 | Exhibition, »[ych mif]: Insel der Ahnen«, aufhof, Hanover |
---|---|
2021 | Keynote about my longterm-project »[ych mif]: Insel der Ahnen« for World Press Photo Oldenburg, Sonntagsmatinee |
2020 | Bachelor of Arts, Photojournalism and Documentary Photography, University of Applied Sciences and Arts, Hanover |
2020 | Exhibition, »Im Tanz: Von Alltag und Veränderung«, Gretchen, Hanover |
2019 | Honourable Mention, Der neue BFF-Förderpreis |
2019 | Exhibition, »[ych mif]: Insel der Ahnen«, horizonte Umweltfestival, Zingst |
2018 | Scholarship, Canon Student Program, Visa pour l'image, Perpignan |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Gleis-D, Hanover |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Kulturbahnhof Mörfelden |
2017 | Finalist, VGH Fotopreis |
2017 | DAAD Scholarship at the National Institute of Design, Gandhinagar, India |
2014 | Exhibition, »jugend.kult.uhr | Ein Querschnitt der Jugend 2.0«, University of Applied Sciences and Arts, Hanover |
2013 | »Lena Kredel – Mensch Maschine«, pilot episode of the arte web-series: »Gesichter der Zukunft« |
I'm Philipp (b. 1991), photographer and videographer with a focus on people, the reality of their personal lives and their environment. As a multimedia storyteller, my goal is to convey information and emotions sensitively – and in a way that best suits the story. Besides my personal practice I work for newspapers, magazines and in corporate contexts.
I enjoy delving deep into a subject, explore my surroundings by running, hiking and climbing, and love to spend time in the forest just behind where I live.
My »professional home« is the photojournalism and documentary photography. In the discipline of the same name I graduated 2020 with a Bachelor of Arts degree at the University of Applied Sciences and Arts in Hanover. Parallel to my studies – as a freelancer and producer in a media agency – I expanded my know-how in moving images and found new visual approaches for my work in the combination of photo and video.
Check the information below for more details.
arte
Frankfurter Allgemeine Zeitung (FAZ)
GEOlino
GO Magazin
Hannoversche Allgemeine Zeitung (HAZ)
Neue Zürcher Zeitung (NZZ)
Spiegel Wissen
Weser Kurier
Aidshilfe Niedersachsen Landesverband e.V.
benthaus
Carl Zeiss GOM Metrology
Continental
Diakovere
Franziskustreff
Garant Maschinen
Gesellschaft für Thrombose- und Hämostaseforschung e.V. (GTH)
Kyoto Prize
VGH Versicherungen
Windmöller & Hölscher
2024 | Exhibition, »[ych mif]: Insel der Ahnen«, aufhof, Hanover |
---|---|
2021 | Keynote about my longterm-project »[ych mif]: Insel der Ahnen« for World Press Photo Oldenburg, Sonntagsmatinee |
2020 | Bachelor of Arts, Photojournalism and Documentary Photography, University of Applied Sciences and Arts, Hanover |
2020 | Exhibition, »Im Tanz: Von Alltag und Veränderung«, Gretchen, Hanover |
2019 | Honourable Mention, Der neue BFF-Förderpreis |
2019 | Exhibition, »[ych mif]: Insel der Ahnen«, horizonte Umweltfestival, Zingst |
2018 | Scholarship, Canon Student Program, Visa pour l'image, Perpignan |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Gleis-D, Hanover |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Kulturbahnhof Mörfelden |
2017 | Finalist, VGH Fotopreis |
2017 | DAAD Scholarship at the National Institute of Design, Gandhinagar, India |
2014 | Exhibition, »jugend.kult.uhr | Ein Querschnitt der Jugend 2.0«, University of Applied Sciences and Arts, Hanover |
2013 | »Lena Kredel – Mensch Maschine«, pilot episode of the arte web-series: »Gesichter der Zukunft« |