In dobby assembly, the pattern is placed on the material using a projector and then cut out by computer.
»In the production hall, the machines are close together. It smells of a mixture of leather, glue and metal, with hammering, milling, gluing and upholstering going on. On the upper floor, the upper assembly area, sewing machines are clattering away – an old Pfaff from the 1950s is still in use there. Next door, women are assembling the leather parts that have been punched out using modern laser technology. The technology alone does not decide how many shoe uppers fit best on a leather hide. A worker with the experienced gesture of a professional marks scars in the leather and other unsightly areas with a special pen. Now projection
and cutting can begin with as little waste as possible.«
From the Taunus to the whole world: the Diamant shoe factory in Bad Soden has been producing handmade shoes for 150 years.
Text: Martina Propson-Hauck
Picture editor: Martin Schalk
Exterior shot of the Diamant shoe factory in Bad Soden.
An employee in the upper assembly department. At her workstation, the edges of the leather straps are sharpened, means that fringes are removed.
Employee, Robert Idic, assembling the base. Idic pulls the finished shaft onto the last.
Employee Ali Dahmani in the floor assembly area. Women's shoes have their heels glued on at this workstation.
The unfinished shoe is still sitting on its last. An image of the finished shoe can be seen on the paper.
Employee Domenico Franze in the floor assembly area. At this workstation, adhesive is applied to heels for men's dance shoes before they are glued together.
Employee Rizan Nissanah in the socket assembly area. At this workstation, the cutting pattern is placed on the material in front of Nissanah using a projector and then cut out by computer.
A ladies' dance shoe with its matching last. This shoe is a historic original from the early days of the company.
»In the production hall, the machines are close together. It smells of a mixture of leather, glue and metal, with hammering, milling, gluing and upholstering going on. On the upper floor, the upper assembly area, sewing machines are clattering away – an old Pfaff from the 1950s is still in use there. Next door, women are assembling the leather parts that have been punched out using modern laser technology. The technology alone does not decide how many shoe uppers fit best on a leather hide. A worker with the experienced gesture of a professional marks scars in the leather and other unsightly areas with a special pen. Now projection
and cutting can begin with as little waste as possible.«
From the Taunus to the whole world: the Diamant shoe factory in Bad Soden has been producing handmade shoes for 150 years.
Text: Martina Propson-Hauck
Picture editor: Martin Schalk
In dobby assembly, the pattern is placed on the material using a projector and then cut out by computer.
Exterior shot of the Diamant shoe factory in Bad Soden.
An employee in the upper assembly department. At her workstation, the edges of the leather straps are sharpened, means that fringes are removed.
Employee, Robert Idic, assembling the base. Idic pulls the finished shaft onto the last.
Employee Ali Dahmani in the floor assembly area. Women's shoes have their heels glued on at this workstation.
The unfinished shoe is still sitting on its last. An image of the finished shoe can be seen on the paper.
Employee Domenico Franze in the floor assembly area. At this workstation, adhesive is applied to heels for men's dance shoes before they are glued together.
Employee Rizan Nissanah in the socket assembly area. At this workstation, the cutting pattern is placed on the material in front of Nissanah using a projector and then cut out by computer.
A ladies' dance shoe with its matching last. This shoe is a historic original from the early days of the company.
I'm Philipp (b. 1991), photographer and videographer with a focus on people, the reality of their personal lives and their environment. As a multimedia storyteller, my goal is to convey information and emotions sensitively – and in a way that best suits the story. Besides my personal practice I work for newspapers, magazines and in corporate contexts.
I enjoy delving deep into a subject, explore my surroundings by running, hiking and climbing, and love to spend time in the forest just behind where I live.
My »professional home« is the photojournalism and documentary photography. In the discipline of the same name I graduated 2020 with a Bachelor of Arts degree at the University of Applied Sciences and Arts in Hanover. Parallel to my studies – as a freelancer and producer in a media agency – I expanded my know-how in moving images and found new visual approaches for my work in the combination of photo and video.
Check the information below for more details.
arte
Frankfurter Allgemeine Zeitung (FAZ)
GEOlino
GO Magazin
Hannoversche Allgemeine Zeitung (HAZ)
Neue Zürcher Zeitung (NZZ)
Spiegel Wissen
Weser Kurier
Aidshilfe Niedersachsen Landesverband e.V.
benthaus
Carl Zeiss GOM Metrology
Continental
Diakovere
Franziskustreff
Garant Maschinen
Gesellschaft für Thrombose- und Hämostaseforschung e.V. (GTH)
Kyoto Prize
VGH Versicherungen
Windmöller & Hölscher
2024 | Exhibition, »[ych mif]: Insel der Ahnen«, aufhof, Hanover |
---|---|
2021 | Keynote about my longterm-project »[ych mif]: Insel der Ahnen« for World Press Photo Oldenburg, Sonntagsmatinee |
2020 | Bachelor of Arts, Photojournalism and Documentary Photography, University of Applied Sciences and Arts, Hanover |
2020 | Exhibition, »Im Tanz: Von Alltag und Veränderung«, Gretchen, Hanover |
2019 | Honourable Mention, Der neue BFF-Förderpreis |
2019 | Exhibition, »[ych mif]: Insel der Ahnen«, horizonte Umweltfestival, Zingst |
2018 | Scholarship, Canon Student Program, Visa pour l'image, Perpignan |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Gleis-D, Hanover |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Kulturbahnhof Mörfelden |
2017 | Finalist, VGH Fotopreis |
2017 | DAAD Scholarship at the National Institute of Design, Gandhinagar, India |
2014 | Exhibition, »jugend.kult.uhr | Ein Querschnitt der Jugend 2.0«, University of Applied Sciences and Arts, Hanover |
2013 | »Lena Kredel – Mensch Maschine«, pilot episode of the arte web-series: »Gesichter der Zukunft« |
I'm Philipp (b. 1991), photographer and videographer with a focus on people, the reality of their personal lives and their environment. As a multimedia storyteller, my goal is to convey information and emotions sensitively – and in a way that best suits the story. Besides my personal practice I work for newspapers, magazines and in corporate contexts.
I enjoy delving deep into a subject, explore my surroundings by running, hiking and climbing, and love to spend time in the forest just behind where I live.
My »professional home« is the photojournalism and documentary photography. In the discipline of the same name I graduated 2020 with a Bachelor of Arts degree at the University of Applied Sciences and Arts in Hanover. Parallel to my studies – as a freelancer and producer in a media agency – I expanded my know-how in moving images and found new visual approaches for my work in the combination of photo and video.
Check the information below for more details.
arte
Frankfurter Allgemeine Zeitung (FAZ)
GEOlino
GO Magazin
Hannoversche Allgemeine Zeitung (HAZ)
Neue Zürcher Zeitung (NZZ)
Spiegel Wissen
Weser Kurier
Aidshilfe Niedersachsen Landesverband e.V.
benthaus
Carl Zeiss GOM Metrology
Continental
Diakovere
Franziskustreff
Garant Maschinen
Gesellschaft für Thrombose- und Hämostaseforschung e.V. (GTH)
Kyoto Prize
VGH Versicherungen
Windmöller & Hölscher
2024 | Exhibition, »[ych mif]: Insel der Ahnen«, aufhof, Hanover |
---|---|
2021 | Keynote about my longterm-project »[ych mif]: Insel der Ahnen« for World Press Photo Oldenburg, Sonntagsmatinee |
2020 | Bachelor of Arts, Photojournalism and Documentary Photography, University of Applied Sciences and Arts, Hanover |
2020 | Exhibition, »Im Tanz: Von Alltag und Veränderung«, Gretchen, Hanover |
2019 | Honourable Mention, Der neue BFF-Förderpreis |
2019 | Exhibition, »[ych mif]: Insel der Ahnen«, horizonte Umweltfestival, Zingst |
2018 | Scholarship, Canon Student Program, Visa pour l'image, Perpignan |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Gleis-D, Hanover |
2018 | Exhibition, »[ych mif]: Insel der Ahnen«, Kulturbahnhof Mörfelden |
2017 | Finalist, VGH Fotopreis |
2017 | DAAD Scholarship at the National Institute of Design, Gandhinagar, India |
2014 | Exhibition, »jugend.kult.uhr | Ein Querschnitt der Jugend 2.0«, University of Applied Sciences and Arts, Hanover |
2013 | »Lena Kredel – Mensch Maschine«, pilot episode of the arte web-series: »Gesichter der Zukunft« |